‘Modern Painting. A Concise History.’
Published by Thames & Hudson in their World of Art series.
Publication date: September 2023.
From the publisher’s blurb:
While acknowledging the legacy of Herbert Read’s classic 1959 study A Concise History of Modern Painting in the World of Art series, academic and artist Simon Morley places the foundation of modern art much earlier than Read, at the emergence of Romanticism and the dawn of the industrial age. Structured loosely chronologically by period, the focus is as much on individual artists as well as movements, with works discussed within a broader context - stylistic, historical, geographical, and gender and ethnic frames - themes that recur throughout the chapters. Generously illustrated, the global and diverse range of artists featured include William Blake, Édouard Manet, Hilma af Klint, Kazimir Malevich, Willem de Kooning, Amrita Sher-Gil, Faith Ringgold and Kehinde Wiley.
This guide also includes an Appendix in the form of questions the reader might like to ask in relation to the artists and the ideas discussed - in order to reconsider the works from a contemporary perspective.
Buy here: https://www.amazon.com/Modern-Painting-Concise-History-World/dp/0500204896
Seven Keys to Modern Art
Thames & Hudson
Published 2019.
Hardcover
ASIN: 0500021627
ISBN-13: 978-0500021620
https://www.waterstones.com/book/seven-keys-to-modern-art/simon-morley/9780500021620
https://www.amazon.co.uk/Seven-Keys-Modern-Simon-Morley/dp/0500021627
A liberating approach to interpreting modern and contemporary art, focusing on twenty major artworks from around the world and representing a diversity of styles, mediums, and artists.
With modern art’s proclivity for self-expression, originality, and the abstract, great works can often seem indecipherable. This book provides the tools to help interpret the seemingly bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works in terms of seven key perspectives: history, biography, aesthetics, experience, theory, criticism, and the market.
I show how twenty well-known but little-understood works of art can serve as useful gateways not only for understanding each other, but also for appreciating works by the same artists and the wider world of art in general. Morley points to visual and theoretical dimensions of art that are not immediately obvious, reconstructing the perspectives of artists and the context within which works were made.
"“Artist and art professor Morley unlocks the sometimes indecipherable world of modern and contemporary art. Students, art aficionados, and museum-goers will appreciate this compact guide and its astute observations.”"
― Booklist Online
Writing on the Wall : Word and Image in Modern Art
Thames & Hudson
Published in 2003.
Hardcover and paper UK Edition
ASIN: 0500238111
ISBN-13: 978-0500238110
From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day.
I trace the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant change. Writing on the Wall discusses familiar movements from the Impressionists to the present day, focusing on many works of modern art such as Dada nonsense words, Surrealist painting-poems, Constructivist typographies, oriental calligraphy, postwar gestural painting, and much more. As I consider these works, I reveal how artists have responded to an environment increasingly saturated with words, and also asks how the mass media have adopted and adapted artistic devices in propaganda, typography, and advertising. The book ends with a look at current developments in the world of hypertext, where word and image have at last found an essential unity.
"An intriguing survey of word-imbued artworks of the modern period, Writing on the Wall will surely be a touchstone for readings on the relationship between language and art across time. While filling a gap in the current scholarship on text in art, Morley has crafted in clear, accessible prose, a study that is easily extrapolated beyond modernism, indeed beyond the fine arts. It is an adventuresome work, and extremely stimulating."—Kathy O'Dell, author of Contract with the Skin: Masochism, Performance Art, and the 1970s
L'Art Les Mots
Hazan
French Edition Hardcover
ASIN: 2850259551
ISBN-13: 978-2850259555
The Sublime (Documents of Contemporary Art). Editor.
Whitechapel Art Gallery/The MIT Press
Paperback
ASIN: 0854881786
ISBN-13: 978-0854881789
Chaos and Awe: Painting for the 21st Century. Contributor.
The MIT Press
Paperback
ASIN: 0262534975
ISBN-13: 978-0262534970